Nas Abraham
London, England
When did you get your start in photography and what drew you to fashion photography?
My background is in fashion illustration, which I studied at the London College of Fashion for my degree. I fell into photography after needing to take my own reference shots for my illustrations. One of my best friends started a small photography business, and I used to help him edit photos, I ended up using his setup and fell in love with how the camera worked, what you can do during a shoot and after. My background in fashion gave me a deep appreciation for the high fashion aesthetic, and as social media grew, what was considered "fashion" became experimental. I think that's where I started to appreciate how certain brands explored themes visually, frequently through the medium of photography.
What are some of the things you consider when taking an editorial?
Styling is hugely important for editorials, as it pretty, defines the type of shoot I'm doing. I would say it's as important as how the editorial is shot. I also care a lot about the hair and makeup, but I'm blessed to have an incredibly talented makeup artist as a girlfriend, Rebecca Keates, so, like a good foundation, that side is pretty much covered. You can see how she rubs off on me. Like a bad foundation. I'll stop.
Which photographer influenced you and how did they influence, photo taking and career path?
My absolute favorite at the moment is Kikixue; he has such impact with his photos in a 15th century Renaissance painting kind of way. I aspire to have that kind of impact with my visuals in the future. I think in general, it's image makers on the web that inspire and influence me. I get hit deep in the heart when I see compelling visuals, and I often have a running dialogue in my head asking, "Why did they do that? What made them decide to add that or shoot it like that?" Those are the questions I want people to ask themselves when they see my work too.
Editorials are a collaborative process. What is it like to always work with new stylists, models, & designers?
It's great. I like working with new creatives, but I'm also a fan of keeping a smaller core team of people I get along with really well. I love it when people own their areas of expertise and push their creativity to the maximum, it allows me to match their effort and come out with something powerful.
For more on Nas, please visit nasabraham.com and follow on social media at @nas_abraham